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This is a common warning in certain circles that jointly caring for a pet post-separation is a terrible idea. Most will argue such setups impede ex-partners from healing, create logistical nightmares, lead to tension, and are a nuisance for all parties. Apparently, in a revelation worthy of a direct-to-platform film, it also makes the canine in question to feel down.

While respecting the mental health of our pets – many owners speak of their profound sensitivity. To witness a prime example in pet despair, simply recall a past film. It seems certain that a dog such as Merv, a spirited little dog portrayed by Gus the Dog, would have a hard time adapting to divided living arrangements. The idea of basing an entire Christmas romance on such a setup holds water remains rather doubtful.

Standard Holiday Fare

Fairness demands noting, Merv, the work of its screenwriters and directed by playwright Jessica Swale, doesn't pretend to be anything more than its premise. We have here a Christmas movie from a major tech-and-media conglomerate – the depth is limited. Its storyline proves to be uncomplicated: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), confronting that their post-breakup gloom is rivaled only by their dog's, decide on a uplifting getaway to a canine-centric retreat. Once there, as expected, they will presumably rediscover the idea that they belong with each other. The supporting cast – including a group of comedic actors – serve as the usual assortment of types. The film's look carries the feel of a platform's in-house production, with a holiday backdrop that is obviously artificial – as seen in flurries piled on green trees as North Carolina stands in for a wintery Boston.

Where the Film Shines

Whether these familiar elements merge into a pleasant experience depends on the execution and one's taste for easy entertainment. On the latter point, Merv targets a specific viewer – individuals who browse regularly for pet content. It provides a wealth of canine-centric sequences. The central draw is the dog, and while this leads to some stilted moments between what the dog does and human reaction, the movie delivers on dog beach fun, canine sorrow, and, in the end, doggie joy.

Where It Wobbles

Such effectiveness does not extend for the human side of the story. The film's approach vacillates between emotional depth, broad humor, standard rom-com beats, and outright slapstick, not quite landing a consistent feel. No blame falls on Charlie Cox, who is admirably committed the absurd and awkward required by the dog resort scenario. He brings a charming humility that provides a significant portion of the appeal for this seemingly ideal couple. Anna's portrayer, true to her usual style, brings a certain millennial quirkiness that will be to your taste or not. Her Anna seems a little too aloof, particularly when contrasted against Cox's genuine sadness. (For what it's worth, Gus the Dog is convincing at looking despondent – while no the award-winner from Anatomy of a Fall, he remains a scene-stealer.)

The film attempts to add substance to the central romance for moments when the dog is absent – a bit of a pity, considering the dog is easily the best part of this feel-good picture. Expectedly, it just about gets by. The catalyst for their separation would feel more adult and realistic with more screen time and more subtle storytelling. Ultimately, Merv is light and sugary, meeting all its marks. Making a film about dog co-parenting is not terrible – though it's not exactly a brilliant concept.

• Merv becomes available on Prime Video on December 10th.